The Fringe Factor

Sunday, September 2, 2012

Every summer for the past 31 years, a little spot in Old Stratchcona comes alive with music, performances, and food. The Edmonton International Fringe Festival is the 2nd largest festival of its kind (Edinburgh touts the top rank). I've always loved the Fringe, its energy is so contagious that you cannot help to walk away with a grin on your face. In addition to its large selection of live indoor stage performances, the outdoor buskers and carnival colours make this festival a great nirvana for photographers.

After having taking a few photography courses, I thought I'd do something different at this year's fringe and apply for the fringe photography volunteer team. Back in April, I submitted my application with a small hopeful portfolio. Months went by with no word and I'd forgotten about it until 4 weeks ago when I got an email welcoming me to the multimedia team. I was glowing! Really? Someone out there thought that my photography skills were worthy enough for a festival THIS BIG? Whoa - easy there ego.

Soon I was sitting in the volunteer orientation, meeting the team leaders, and eventually checking in for my first shift. Each volunteer was assigned to photograph specific subjects for each shift: general festival (buskers/patrons), kids, vendors, volunteers. Most of my shifts were general festival (I was a new recruit, so they started me easy) but I did manage in a few extra shifts of kids' fringe and late night cabaret (photographing people in their underwear was a definite first for me, at least in public... uh, I overshared didn't I?).


"Chris without the hat" at his juggling best
To say that I had a great time is an understatement. I was a kid on Christmas morning, 8 times in 11 days (it was more like Hanukkah!). Having an official status within the festival allowed me to get closer to the action. It meant a greater connection to the performers, organizers, and fellow volunteers. I was able to talk to artists about their trade and learn more of the work behind the curtains that make this festival such a success. To top it off, I learned more about photography from seasoned photographers. One lesson was trying to find THE shot. There's so much action going on during any performance (not only the show itself, but the crowd's reaction or interaction with the performer), it's hard to not have a trigger finger. I did find the 75 shots/shift very limiting, but as the festival wore on, I found that I was taking more quality shots over quantity.

Living statue Daniel Anderson gets Fringe muralized!
To challenge the photography team, there were competitions for the top 25, top 10, and top photo of the day picks. I did manage to make top 25 lists with each day I had a shift (I think everyone made this list). I managed one top 10 list. But the gravy was snatching/snapping two photo of the day. Sadly, I can't show these shots off as the price to pay with volunteering is that all your submitted photos are owned by the Fringe which may be utilized for marketing/promotion purposes. The photos shared here (and my flickr account) were taken on my off days  - yes, this meant I was at the festival almost every day. Go me.


Would I do this again? Absolutely. In fact, this experience has encouraged me seek out more photography volunteer jobs. This is only the beginning.

Winnipeg's Dan and Kimberly Craig from The Street Circus dazzle the night crowd